Un-finishing Stories: creating remote connections to wetlands | By Kate Foster and Pantea Shabhahang

Being an artist and being in quarantine, she did what artists have always done — make wonder out of limitation, privation, and boredom; illuminate the universal through the tiny aperture of the deeply personal.

Maria Popova, April 2020

Maria Popova poses a challenge for artists working within Corona restrictions. I had to find different ways to develop my initial response to the Home Turf and Wetfutures projects during my residency in Wageningen University.  I compared notes with an Iranian artist friend, Pantea Shabahang. This post is about beginning to work creatively with the fragments of wetland lives and cultures that we are uncovering, suggesting this is a process of ‘un-finishing’ stories.

See full article here.